%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%%
%% This is the file uline.mtx, part of the VFinst package
%% (version 1.00, August, 1998) for PostScript Type1 font 
%% installation.  (Author: Alan Hoenig, ajhjj@cunyvm.cuny.edu)
%%
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%

\relax

This files underlines all the glyphs mentioned in either of the files
OT1.etx or T1.etx.

\metrics

\setcommand\uline#1{%   underlining
  \ifisglyph{#1}\then
    \resetglyph{#1}
      \push\moveup{-150}\glyphrule{\width{#1}}{40}\pop
      \glyph{#1}{1000}
    \endresetglyph
  \fi
}

\uline{AE}
\uline{Aacute}
\uline{Abreve}
\uline{Acircumflex}
\uline{Adieresis}
\uline{Agrave}
\uline{Aogonek}
\uline{Aring}
\uline{Atilde}
\uline{A}
\uline{B}
\uline{Cacute}
\uline{Ccaron}
\uline{Ccedilla}
\uline{C}
\uline{Dcaron}
\uline{Delta}
\uline{D}
\uline{Eacute}
\uline{Ecaron}
\uline{Ecircumflex}
\uline{Edieresis}
\uline{Egrave}
\uline{Eogonek}
\uline{Eth}
\uline{E}
\uline{F}
\uline{Gamma}
\uline{Gbreve}
\uline{G}
\uline{H}
\uline{IJ}
\uline{Iacute}
\uline{Icircumflex}
\uline{Idieresis}
\uline{Idotaccent}
\uline{Igrave}
\uline{I}
\uline{J}
\uline{K}
\uline{Lacute}
\uline{Lambda}
\uline{Lcaron}
\uline{Lslash}
\uline{L}
\uline{M}
\uline{Nacute}
\uline{Ncaron}
\uline{Ng}
\uline{Ntilde}
\uline{N}
\uline{OE}
\uline{Oacute}
\uline{Ocircumflex}
\uline{Odieresis}
\uline{Ograve}
\uline{Ohungarumlaut}
\uline{Omega}
\uline{Oslash}
\uline{Otilde}
\uline{O}
\uline{Phi}
\uline{Pi}
\uline{Psi}
\uline{P}
\uline{Q}
\uline{Racute}
\uline{Rcaron}
\uline{R}
\uline{SS}
\uline{Sacute}
\uline{Scaron}
\uline{Scedilla}
\uline{Sigma}
\uline{S}
\uline{Tcaron}
\uline{Tcedilla}
\uline{Theta}
\uline{Thorn}
\uline{T}
\uline{Uacute}
\uline{Ucircumflex}
\uline{Udieresis}
\uline{Ugrave}
\uline{Uhungarumlaut}
\uline{Upsilon1}
\uline{Uring}
\uline{U}
\uline{V}
\uline{W}
\uline{Xi}
\uline{X}
\uline{Yacute}
\uline{Ydieresis}
\uline{Y}
\uline{Zacute}
\uline{Zcaron}
\uline{Zdotaccent}
\uline{Z}
\uline{aacute}
\uline{abreve}
\uline{acircumflex}
%\uline{acute}
\uline{adieresis}
\uline{ae}
\uline{agrave}
\uline{ampersand}
\uline{aogonek}
\uline{aring}
\uline{asciicircum}
\uline{asciitilde}
\uline{asterisk}
\uline{atilde}
\uline{at}
\uline{a}
\uline{backslash}
\uline{bar}
\uline{braceleft}
\uline{braceright}
\uline{bracketleft}
\uline{bracketright}
%\uline{breve}
\uline{b}
\uline{cacute}
\uline{caron}
\uline{ccaron}
\uline{ccedilla}
%\uline{cedilla}
%\uline{circumflex}
\uline{colon}
\uline{comma}
\uline{compwordmark}
\uline{c}
\uline{dbar}
\uline{dcaron}
%\uline{dieresis}
\uline{dollar}
%\uline{dotaccent}
\uline{dotlessi}
\uline{dotlessj}
\uline{d}
\uline{eacute}
\uline{ecaron}
\uline{ecircumflex}
\uline{edieresis}
\uline{egrave}
\uline{eightoldstyle}
\uline{eight}
\uline{eogonek}
\uline{equal}
\uline{eth}
\uline{exclamdown}
\uline{exclam}
\uline{e}
\uline{ffi}
\uline{ffl}
\uline{ff}
\uline{fiveoldstyle}
\uline{five}
\uline{fi}
\uline{fl}
\uline{fouroldstyle}
\uline{four}
\uline{f}
\uline{gbreve}
\uline{germandbls}
%\uline{grave}
\uline{greater}
\uline{guillemotleft}
\uline{guillemotright}
\uline{guilsinglleft}
\uline{guilsinglright}
\uline{g}
%\uline{hungarumlaut}
\uline{hyphenchar}
\uline{hyphen}
\uline{h}
\uline{iacute}
\uline{icircumflex}
\uline{idieresis}
\uline{igrave}
\uline{ij}
\uline{i}
\uline{j}
\uline{k}
\uline{lacute}
\uline{lcaron}
\uline{less}
%\uline{lslashslash}
\uline{lslash}
\uline{l}
%\uline{macron}
\uline{m}
\uline{nacute}
\uline{ncaron}
\uline{ng}
\uline{nineoldstyle}
\uline{nine}
\uline{ntilde}
\uline{numbersign}
\uline{n}
\uline{oacute}
\uline{ocircumflex}
\uline{odieresis}
\uline{oe}
\uline{ogonek}
\uline{ograve}
\uline{ohungarumlaut}
\uline{oneoldstyle}
\uline{one}
\uline{oslash}
\uline{otilde}
\uline{o}
\uline{parenleft}
\uline{parenright}
\uline{percent}
\uline{period}
\uline{perthousandzero}
\uline{plus}
\uline{punctdash}
\uline{p}
\uline{questiondown}
\uline{question}
\uline{quotedblbase}
\uline{quotedblleft}
\uline{quotedblright}
\uline{quotedbl}
\uline{quoteleft}
\uline{quoteright}
\uline{quotesinglbase}
\uline{q}
\uline{racute}
\uline{rangedash}
\uline{rcaron}
\uline{ringfitted}
%\uline{ring}
\uline{r}
\uline{sacute}
\uline{scaron}
\uline{scedilla}
\uline{section}
\uline{semicolon}
\uline{sevenoldstyle}
\uline{seven}
\uline{sixoldstyle}
\uline{six}
\uline{slash}
\uline{sterling}
\uline{s}
\uline{tcaron}
\uline{tcedilla}
\uline{thorn}
\uline{threeoldstyle}
\uline{three}
%\uline{tilde}
\uline{twooldstyle}
\uline{two}
\uline{t}
\uline{uacute}
\uline{ucircumflex}
\uline{udieresis}
\uline{ugrave}
\uline{uhungarumlaut}
%\uline{underscore}
\uline{uring}
\uline{u}
\uline{visiblespace}
\uline{v}
\uline{w}
\uline{x}
\uline{yacute}
\uline{ydieresis}
\uline{y}
\uline{zacute}
\uline{zcaron}
\uline{zdotaccent}
\uline{zerooldstyle}
\uline{zero}
\uline{z}

\endmetrics